My thoughts on the film “Clinton Cash.”

My immediate gut-reaction opinion on “Clinton Cash w/a few quick fact checks, perhaps with some consideration as I write.


The film as a whole speaks to a perceived pattern of ethics that has been significantly reinforced within the last 24 hours. The appointment of Debbie Wasserman-Schultz as an “Honorary” anything for her political movement, merely hours after she was evicted from the DNC for illicitly steering Clinton the nomination, is perhaps the most prescient example I can think of. It no longer feels like wild-eyed conspiracy-porn to suggest, “Well, DWS was put their after she helped Clinton in 2008 specifically to make sure she won the nomination in 2016, then got a parachute out of there into Clinton’s camp, directly.”
  That lens, my friends, can transform happy coincidence into deliberate-appearing allegiances. That sustained suggestibility is what the film relies on to convey its message. Does it do so effectively? Extraordinarily so. There is very little question in my mind whether or not anything illegal happened – of course it didn’t, the reigns of legality were firmly in the hands of the ones trusted to reign illegality in! If I were a juror I would honestly be unaware as to where to even begin to untangle this mess. Odds are, the cries of “Lock Her Up!” from the RNC will go unanswered for some time as investigators consider the arguments against the Clinton Foundation and how best to approach them.   However…Recent behavior displays a drastic continuation of the dubious policies of the Clinton Foundation, especially with regard to those considered “The Clinton Orbit” by this film.   The movie was most definitely biased against Clinton from the get-go, however it is biased not on the facts of its case, but largely in its (oftentimes violent) imagery and use of shorter, easier-to-substantiate claims. Sometimes context is difficult to find or follow, and at least once I found myself saying, “Well, you haven’t quite proven these two were even in the this particular place at the same time; few clearly-in-context photos lending me to find few perfect agreements on the ground-floor facts.”  So, it was flimsy at times, and

relied significantly on the vulnerabilities of the ones it criticized to create suspicion as to whether or not their particular claim is true. Click here to read more!

A Second Edition of Jesse Pohlman’s “Pillars of the Kingdom” Volume One, is now available for Kindle!

Greetings, travelers!

The other day, after months of work and many edits, I’ve decided that I had done a worthy job of revising my very first novel, the Sci-Fi/Fantasy thrilled Pillars of the Kingdom:  Volume One, “The Forming” (POTK1).  This revision was was originally intended as an after-a-decade effort, but family difficulties and career responsibilities held up its release until this week.  Nevertheless, with cover art that serves as a helpful map of the Kingdom of Emor and honors the original artwork by the talented Jennifer Souza, this book promises to be a much neater version of the first – or, at least, I promise you that it is! Click here to read more!